Bunmi Agusto holds a paracosm in her mind that she has named ‘Within’. This world exists as a macro-reflection of her own interiority and is subsequently a site for her explorations of psychology, cultural theory and the evolution of selfhood through the lens of fantasy. Her works on paper depict otherworldly, allegorical lives of humans, hybrids and ghosts in this sentient, braided landscape of Within. She combines drawing, painting and printmaking to create bold, intricate images with underlying geometric compositions that draw from West African aesthetic histories embedded in her cultural consciousness. Below is a short excerpt from the artist about this world in her mind:
“The genesis of Within began with my birth. My father’s people —the Yorubas— do not name their children until the seventh day. I was named Olubunmi on my seventh day, but for my first week of life, I was a nameless alien thrust into a new existence. This alien, I now call Ó, was born a compound of past lives and ancestral coding. As I went on to live this new life of mine as Olubunmi, Ó retreated into the deep crevices of my mind and built an entire world I now know as ‘Within’. This is a world where skin becomes clay and strands of hair grows from its pores. I, Olubunmi, was unaware of this world for the first twenty years of my life until I accidentally stumbled through a portal in my mind when meditating and met Ó. By combining strands of our hair, Ó and I created eight braided cocoons in which eight hybrid beings grew and were born into Within and thus became the first indigenous peoples of the world. Each hybrid was born in my image but Ó’s alien gene activated different mutations in each of them. The hybrids were the primary residents of Within alongside Ó after my first visit. However, the portal I stumbled through remained open and people from my waking life began to be subsumed into my mind and into Within. Sentient perceptions of family members, friends and passersby became cross-reality migrants in the fantastical landscape. Now, Within is an ever-evolving complex repository for all that I encounter. As Within evolves, strands become braids, clay becomes structures, families become clans, gossip becomes history, and predecessors become gods. I only get to see this evolution in fragments when I visit the world in my daydreams.”

'Loose Spirits' | 2023 | Mixed-Media Installation

Selection from 'Hybrids' Series | 2020 | Pastel pencil, ink and acrylic on pastel board

'Labour of Self-Love' | 2023 | Pastel pencil, coloured pencil, ink and acrylic on pastel paper

'Irunoji Blessed With Enlightenment' | 2024 | Pastel pencil, coloured pencil, ink and acrylic on pastel paper

'All Occurs Within Me' | 2022 | Pastel pencil on sandpaper, ink and acrylic on paper

'Irunoji's Notes 1.1' | 2024 | Pencil and ink on Cotton-Rag Paper

Selection from 'Hands of Ó' Series | 2024 | Coloured pencil, ink and acrylic on pastel paper

'Reaching Through Worlds' | 2023 | Pastel pencil, coloured pencil, ink and acrylic on pastel paper

Installation shot of 'Inhabiting Spirit-Bodies (Umbanda)' and 'Inhabiting Spirit-Bodies (Olubunmi)' | 2024 | Pastel pencil, ink and acrylic on pastel paper

'Apparitions Fly Past Umbanda' | 2023 | Pastel pencil, coloured pencil, ink and acrylic on pastel paper

'Old Age Na Turn by Turn' | 2022 | Coloured pencil, ink and acrylic on canvas

'Displacement Under a Full Cowrie' | 2022 | Pastel pencil, coloured pencil, ink and acrylic on pastel paper

Installation shot of 'Spiritually-Mechanised Gathering' and 'Creation of the Masquerades' | 2024 | Pastel pencil, coloured pencil, ink and acrylic on pastel paper

'Two Degrees of Awareness' | 2022 | Pastel pencil, coloured pencil, ink and acrylic on pastel paper

Installation shot of 'Psychoscape' at TAFETA | 2022

'Gatherer' | 2022 | Pastel pencil, coloured pencil, ink and acrylic on pastel paper

'Tip of the Psyche' | 2022 | Pastel pencil on sandpaper, coloured pencil, ink and acrylic on paper

'Abiemwense' | 2022 | Pastel pencil and ink on pastel paper
Installation of 'Surfacing', 'Braided Labyrinth VI' and 'Braided Labyrinth VIII' | 2021 | Pastel pencil on sandpaper, coloured pencil, ink and acrylic on paper.

Installation shot of 'Apparitions Across Dimensions' and 'Apparitions Fly Past Umbanda' | 2024 | Pastel pencil, coloured pencil, ink and acrylic on pastel paper

'The Water Remembers II' | 2021 | Pastel pencil on sandpaper, ink and acrylic on paper

'Lead The Way Out' | 2021 | Pastel pencil on sandpaper, coloured pencil and ink on paper

Selection of passerby and architectural studies at TAFETA | 2022 | Pastel pencil on sandpaper and ink on cotton-rag paper & Ink and acrylic on cotton-rag paper

'Hand of Ó #3' | 2024 | Pastel pencil, coloured pencil, ink and acrylic on pastel paper

'Braided Labyrinth V' | 2021 | Pastel pencil on sandpaper, coloured pencil, ink and acrylic on paper

'Is It Raining... Lizards & Cowries?' | 2022 | Pastel pencil, coloured pencil, ink and acrylic on pastel paper
'Pull Me To The Surface' | 2021 | Pastel pencil on sandpaper, coloured pencil, ink and acrylic on paper

'Longer Throat' at Kenneth Ize SS22, Palais de Tokyo | Oil on woven Aso Oke fabric